by FTA Staff | Feb 17, 2023
Each week a ton of new music comes out, and between our weekly singles column that gets posted every Friday, and the full album reviews throughout the week, plus live show reviews and news announcements, we get to a lot! Here’s a quick fire list of even more great albums and EPs that came out this week(ish) that we dug and think you should get on your radar too.

Big Laugh– Consume Me. Released last week via Revelation, this is some no fuckin nonsense hardcore that rips and rages, with plenty of BIG riffs, dirty bass lines and drum fills. The Milwaukee based band ticks a lot of heavy boxes for me and packs ten songs into 19 minutes. “Shadow Figure,” “Square One” and the title track are all strong standouts. [KH]

Free Range– Practice. The project of 18-year-old Chicago-based musician Sofia Jensen, this is their debut full length after a series of demos and singles. Laid back indie with a nice dose of alt-country to create an album which makes for perfect company on a long afternoon stroll. “Keep In Time,” “All My Thoughts” and “Traveling Show” are the standouts for me and represent the best of Jensen’s subtle touch and pop sensibilities. [KH]

Grade 2– self-titled. Out today via Hellcat, this is some classic 90s pop punk meets high energy Britpop in all the right ways. I’m also a big language nerd so was very excited to learn the meaning of the word “brassic,” which apparently is Cockney rhyming slang for being “skint,” which for us Americans who don’t spend a lot of time in the UK, is yet another slang term and it means being broke. The song “Brassic” is also pretty damn catchy as is the album, which is packed with songs that will sure to be sing along favorites at their live shows. [KH]

Keefchamber– Ingurgitate Reality. The two piece doom metallars from NJ have released a brand new four song EP, Ingurgitate Reality, and this one sees them changing up their sound. They’ve moved away from the slow drone bass dooooom dirges of their earlier releases to a faster paced guitar driven sludge punk that still leans heavily on their strong metal chops. I’m totally here for it and you should be too. [KH]

Narrow Head– Moments of Clarity. I said this in an earlier review I wrote for the single “Gearhead,” and it still rings true so here we go again: “This band does the hazy grungegaze sound so well, I almost swear I’m back in the waning days of summer 1995 when I got my first taste of You’d Prefer An Astronaut. While this band does draw heavily on influences from the 90s and I hear a lot of Hum’s (and Deftones) influence in their sound, they are firmly of the now and stand shoulder to shoulder with the earlier pioneers of heavy shoegaze.”
Of course I mean this as the utmost compliment because I have loved Hum for a really long time and to see their legacy live on in newer bands is a real treat. The full album does not disappoint and aside from “Gearhead” and the title track, “Sunday” is a real winning highlight for me. I’m definitely looking forward to catching them live in 2023. [KH]

Negative Blast– Echo Planet. My first intro to this San Diego band was the single “Trauma Bond” which I loved. The band shares that the song “is a pulverizing punk ripper about the human machine that trades life for profit through control, trauma and warfare. The words explore what fuels the parasitic nature that compels those to hold power and subjugate others into a life of violence and suffering.” The rest of the album also rages equally as hard and other standouts are “Carbon Copy” and “No Trust” which features some of the catchiest guitar work on the record. This one was a great head clearer and I definitely need to hit the pit the next time they head out to the East Coast. [KH]

Nhomme– 一種の過音 This one is a bit of a roller coaster of feels and styles and plays out as mathy jazz meets frantic screams with rapid fire rhythms that at times seem to be fighting one another before suddenly spinning back around to be perfectly in sync. Reminds me of if a more intense Volta Do Mar had a baby with Hella and made it listen to a bunch of screamo. I just wish this was longer than three songs. The band has thus far only released singles and EPs but here’s hoping a full length is in the near future. [KH]

Pile– All Fiction. The latest from Rick Macguire’s Pile is out today via Exploding In Sound and features a wide variety of feels across its ten songs. From the woozy album opener “It Comes Closer” followed by the trippy “Loops” to the heavier “Poisons” and the ominous and disjointed “Nude With A Suitcase,” there’s a little something for everyone here. The band will play a pair of shows at TV Eye on 3/1 and 3/2. [KH]

Posh Swat– Posh Swat. The ever prolific Osees band leader John Dwyer always seems to be up to something creative, and during the pandemic unleashed a number of experimental releases. He is back with another new experimental group, Posh Swat, which sees him rejoining forces with drummer Ryan Sawyer and percussionist Andres Renteria both of whom he collaborated with in Gong Splat. Today their self titled debut is out and the instrumental songs blend elements of jazz and trippy improvisations, with the drums and percussion taking a lot the central role throughout. There’s definitely a lot to take in here and it’s going to take me a few listens through with headphones to absorb a lot of it but I can already tell this is going to be a strong contender for a spot on my favorites of 2023 list. [KH]

Screaming Females– Desire Pathways. The venerable NJ band released their 8th album via Don Giovanni today and we can’t wait to dig in. We’ll have more to say soon but you definitely need to get this in your ears ASAP. [KH]

Shonen Knife– Our Best Place. The Japanese punk n roll icons have been a band for more than 40 years and continue to pound out cool jams you’ll want to pogo all night to. Our Best Place is full of super fun in the sun bops and has me longing to shake off the doldrums of winter to hit some summer outdoor haunts with this as my soundtrack. [KH]

Still Depths– Best plan for your life. The name of this band is a lie because they do anything but “stay still,” rather vacillating wildly through styles—noise, post punk, glitchy electro— and this Canadian trio has made some deeply arty and experimental shit. They’ve also made some shit that’s really interesting and really good. My favorites are the pairing of “Outsmart Aging” and the title track which together close out the album. This one will leave you gasping for breath and definitely wanting more. [KH]

Stormo– Endocannibalismo. Equal parts noise, metal and with a healthy dash of screamo and punk, this Italian band pours all of these elements into a math rock blender and hits the highest setting; the result is Endocannibalismo, their first new album since 2019’s Finis terrae. Aside from a cover they did for the brilliant Fugazi tribute comp, Silence Is A Dangerous Sound (they covered “Break”), this was my first full intro to the band and I most definitely will be hitting that back catalog very soon. As for this record it is unflinchingly intense, I can only imagine the feeling of the chaos that their live show must be. Hopefully they’ll get over to the States soon so I can find out. [KH]

Unwed Sailor– Mute The Charm. The latest from the long running post rock band from Seattle came out last Friday on Spartan Records. Building on their existing body of work, Mute The Charm, gets right to the core of what this band has always done so well—hit you in your heart strings with the sweeping instrumentals. From the hopeful album opener “Windy City Dreams” to echoey “London Fog” (the longest song on the album) all the way through the title track which closes the album, there’s a lot to dig into and reflect upon while listening. [KH]
Check out these other recent reviews for even more new music:
Single Serve 030
Single Serve 031
Beat Awfuls- PAWS
better living- crush
Black Belt Eagle Scout- The Land, The Water, The Sky
Cat Clyde- Down Rounder
El Ten Eleven- Valley of Fire
Lily Mao & the Resonaters- Human Being Animal
M(h)aol- Attachement Styles
Pigs x 7- Land of Sleeper
Quasi- Breaking The Balls of History
Yo La Tengo- This Stupid World
by FTA Staff | Jan 13, 2023
Hi! Hello! Here we are with some bite sized goodies and a taste of a some new things that we dug that came out in the last week(ish), quick fire responses to some great new music we think you should check out. This week Kate and Mike weighed in on some killer songs— give ’em a listen!
And though we can’t possibly cover all the music that is released each week (we wish!), we do get to as many songs as we can. As always, if you’re in a band or from a label, don’t hesitate to reach out and let us know about you! If we dig ya, you’ll get a nod in the column. Read on to find out what we dug the last week or so and check back every Friday for more:
Big Laugh– Shadow Figure. Hardcore that rips and rages, with plenty of BIG riffs, dirty bass lines and drum fills, this one from the Milwaukee based band ticks a lot of heavy boxes for me. I’m more than a little bummed their soon to commence tour with Gel won’t be hitting NYC, but hopefully they’ll make it out this way sometime in 2023. From the upcoming album, Consume Me, due out 2/10 via Revelation. [KH]
Cat Clyde– I Feel It. The Canadian indie folk singer has a new album, Down Rounder, due out 2/17 and has just released the second single, a beautiful piano led contemplation with string accents which she says is about her experiences—both positive and negative—with being an empath. [KH]
Death Valley Girls– Sunday. “I need a sign” shit, me too. “I just want to lay down and never get up again” also, me too! The always effervescent LA garage punks have released the second single from their upcoming record, Islands in the Sky (2/24/23 Suicide Squeeze), and it’s a bit laid back, a soulful plaintive meandering til around the last minute when they amp up the tempo and hope springs eternal once more. The song is REALLY relatable for any of us who have existed at any point lumbering through the last few years and lead singer Bonnie Bloomgarden says “Over the past few years I learned you have to feel and move through your feelings or they get stuck, and then you become a vessel or container for all the feelings you are trying to avoid! If you acknowledge, feel, and process them, you get to release and move them out of you! This song is to honor that process! Feel your feelings, be so sad you wanna cry forever, and then move on, you gotta keep moving!” [KH]
El Ten Eleven– Not Even Almost. The instrumental post rock duo only seems to get more prolific with time—in the last three years they have released a triple album,Tautology (2020) and its follow up, New Year’s Eve, which came out last year. They are heading into 2023 full steam ahead with yet another new album, Valley of Fire, due out 2/10 via Joyful Noise. The thing I have always loved about instrumental music is that you can certainly take the intentions of the creators to heart while listening to it, but you can also find your own meaning in it much more so than music with lyrics. I have been a fan of El Ten Eleven for a very long time now and the things I have always found and loved in their music is the undercurrent of hope and a sense of calm that always seems to find me in the moments I need it most.
Bassist/composer Kristian Dunn explains that the album was inspired by “visiting Valley Of Fire State Park in Nevada,” “Overwhelmed by the beauty and surreal nature of the place, I found myself in the rare state of actually living in the moment and feeling awash in true tranquility. There was a sense of not getting close to something transcendent but actually experiencing it, thus the title. It wasn’t almost transcendent, it WAS.” About this song specifically he shares “If you listen closely, you’ll notice the melody repeating but the bass parts changing underneath. It’s a very Bach-inspired idea, but fits the metaphor perfectly (the anchor of your identity shifting under a truly moving circumstance).” The group hit NYC twice in 2022, once for their own headline show and again opening for Peter Hook and the Light (both phenomenal shows for the record), so here’s hoping 2023 sees them grace the Big Apple once more. [KH]
Fucked Up– I Think I Might Be Weird. The long running Canadian legends are due to release their latest album, One Day, so named because it was recorded in the span of 24 hours by each member (read more on that here) and have shared the third single from it this week. This one sees them step back from the edge of frenetic hardcore a bit, blending elements of classic rock and dance punk in with their signature sound and Damian Abraham’s ever satisfying screams along with the trill of some sweet violin accents. They have also announced tour dates in Canada, the UK and the US in support of the album which will hit Brooklyn on 4/28 at Brooklyn Made. [KH]
Linens– Forest Fire/Grunge. This double single actually came out in December 2022, but just dropped on Spotify last week and came to my attention at that point so here it is! The band says on their Bandcamp that “this is a two-song introduction” and I for one am ready to hear more from this Toronto post hardcore quartet. If you dig anything at all that came out on Dischord in the late 80s into the 90s, chances are you’ll dig this too. [KH]
Negative Blast– Trauma Bond. Sometimes all you need to clear the cobwebs of life is some ragey hardcore. Negative Blast has you covered with the first single from their upcoming debut album, Echo Planet (2/10 Quiet Panic), which the band says “is a pulverizing punk ripper about the human machine that trades life for profit through control, trauma and warfare. The words explore what fuels the parasitic nature that compels those to hold power and subjugate others into a life of violence and suffering.” [KH]
Quasi- Nowheresville. You know what? I freaking love Quasi, there’s just no two ways about it. I also love bike riding, street wandering, band practice invading gorillas/Sasquatch like creatures (I mean, who doesn’t?) and they deliver on that in the cheeky music video too. All that being said, don’t let the groovy aesthetic or the cheek fool you, the song doesn’t say it outright, but it’s not hard to read between the lines that it’s about the atrocious state of affairs when it comes to gun control and mass shootings in the US and how our elected “leaders” continuously throw their hands up in the air while offering “thoughts and prayers” as a means to justify the blood on their hands. “Here they come now thoughts and prayers, thoughts and prayers won’t get ya there but I guess they do make a pretty pair.” Indeed, the cryptozoology themed video does make sense in the full context, our hairy beast riding off to nowheresville with the empty words of politicians and their promises to do something tangible as much a myth as a real Sasquatch is. And given that the subject matter is something I myself feel very strongly about, maybe I even love Quasi more after this one.
So given all this, you also can imagine that I’m pretty damn excited for the new album, Breaking The Balls of History, due out 2/10 via Sub Pop which is also their first in almost 10 years. Indeed, I am and I’m also very much looking forward to getting to hear these songs played live when they head out on tour, making a stop at TV Eye on 3/16 (with the equally as awesome Bat Fangs) which will mark my first time seeing the band in almost 20 years. Perhaps before then, I’ll dig up my circa 2004 35mm negatives from the old Knitting Factory while I anxiously await the show. [KH]
shame– Six-Pack. Have wah, will travel! On their latest single, the second from the upcoming album, Food for Worms (2/24 Dead Oceans), the UK post punkers lean heavily on the wah pedal to accent the angular guitar along with some pretty frenzied drumming. In his review of their previous single, “Fingers of Steel,” Mike said “It’s obvious shame makes music for them, and everyone else just happens to be on board.” I’m inclined to agree AND be fully on board. [KH]
We Are Scientists– Settled Accounts. On their 8th album, Lobes (1/20 Masterswan), the long running NYC indie greats are leaning hard into a dancy disco funk feeling and I’m here for it. This pairs perfectly with the disco romp of previous single, “Less Than You,” both with straight out of the 70s nightclub bass lines, and both more than delivering the grooves. A perfect showcase of what this band has always been great at—big emotions and deep grooves all wrapped into one. They will play a release show at Brooklyn Made on 1/20. [KH]
WifeKnife– Dead Ringer/Blackout. Birthed directly from everything good and unholy from deep within the bowels of cherished Brooklyn mainstay, Our Wicked Lady, Wife Knife rose onto the scene last year and just dropped a double single to ring in the new year. Though the quintet is OWL DNA thru and thru, their unique brand of Sabbath meets Fugazi riffage on “Dead Ringer” belongs front and center on the Saint Vitus stage. While the dynamic “Blackout” carries with it the soul of Stevie Nicks and Ann Wilson on the back of a dark unicorn to the ends of the flaming sea swallowed up by The Nothing. It slays. It melts your face. [MB]
Zulu- Where I’m From. This is the second single from the forthcoming debut full length, A New Tomorrow (3/3 Flatspot) by the epic LA based powerviolence band and like the previous song, it will shake your skull and rattle you all the way down your spine. This one features guest vocal spots from Pierce Jordan (Soul Glo) and Obioma Ugonna (Playytime) over top of heavy riffage and rock solid drums. They will head out on tour in support of the record with Show Me The Body, the tour hits Brooklyn Steel on 3/24. [KH]