Single Serve 035

Single Serve 035

 

Hi! Hello! Here we are with some bite sized goodies and a taste of a some new things that we dug that came out in the last week (ish), quick fire responses to some great new music we think you should check out. This week Chantal, Kate and Mike weighed in on some killer songs— give ’em a listen!

 

AnaretaBlack Snake. This blackened-orchestral doom band hails from New Orleans and blends western classical  instrumentation with brutal and intense metal. “Black Snake” is the third single from their upcoming debut album, Fear Not.

The band shares:

“‘Black Snake’ is a recognition of the horrific and destructive forces of the oil industry and the commercial infrastructures that are imposed on our lands and across our waterways. The title stems from a Lakota prophecy of a black snake that would cross the land causing destruction and poisoning waters, and was widely used during the Dakota Access Pipeline protests to refer to the toxic contamination that oil pipelines produce across our land. These issues are not isolated, but global, as industry everywhere continues to contaminate and compromise our natural resources. This song is about water. Water is life, and through water everything is connected. With rage and grief we recognize what we have lost as water turns black.”

 

The song is an 11 minute sweeping opus, starting out with the metal side of their sound before giving way to a gorgeous, string led instrumental interlude that lasts for several minutes before building back up again to a huge crescendo to drive the song home. Fear Not, is due out on 4/28. [KH]

 

 

Bo GritzStored In The Sky. It’s been five years since the noisy London trio released their Tape EP and we hadn’t heard from them during all that time until earlier this year when they released the single “Observes and Selects.” Now they’re really back and not just “back” but BACK and with the announcement of their debut album, Chroma, in hand. Its first single, “Stored In The Sky,” came out today and it’s a ball of industrial grit wrapped in acidic, glitched out post punk sensibilities; it will snarl at you harder than someone bumping into you on the London Underground during rush hour. (Or maybe I’m NYC projecting here, in my experience people are much nicer on the Underground than on the NYC Subway!)

 

In their press release this was compared to “Snapped Ankles at their most industrial extremes” and being a lover of their weirdly wonderful forest too, I can certainly see the juxtaposition here. Chroma releases in full on 6/9 and the band has some UK tour dates throughout the spring, though nothing on our side of the pond just yet; we’ll certainly be keeping our eyes peeled for that. [KH]

 

Crazy & the BrainsOpen Eyes. The band released this Pete Steinkopf (Bouncing Souls) produced single last fall but today released a brand new video for it which we premiered. Check out more here. [KH]

 

Desert Sharks Medusa. Kicking in immediately with growling bass and guitar and the powerful vocals of Stephanie Gunther, this is full throated rock and roll, an “anthem of feminine rage and reclamation of power” inspired by the mythological Medusa. The video blends images of blooming flowers and slithering snakes with live performance footage filmed at Econolodge. Desert Sharks’ new album will be out on Substitute Scene Records March 31—watch this space! [CW]

 

The DilatorsCop City. The Brooklyn queer punx and driving force behind Brooklyn Transcore have been on a relentless push over the last year, their live shows cathartic, community affairs that continue to grow in size. Now they are here with their debut single and if you’re a cop or a bootlicker, they don’t have time for you or your fucking bullshit. Not one ounce of a word is minced on “Cop City,” and it just so happens to be one of the ragiest and most refreshing slices of hardcore I’ve heard in a while. The song comes paired with a powerful music video of live performance clips alongside protest footage.

Lead singer Saoirse shares:

“The cops and Hollywood are working together to bulldoze hundreds of acres of forest in Atlanta, the largest urban forest in the country, to build a mock city/pig training facility. People all over the world are standing up to this atrocity. But the cops are cracking down hard, holding dozens of peaceful forest-defenders in jail on trumped up charges. Over 40 people have been wrongfully charged with domestic terrorism. And on January 18, during a violent raid, the police murdered a tree defender. Tortuguita was a peaceful warrior. They were a nonbinary person of color. They were fighting for everything that is good and right. They were sitting cross-legged with their hands up. They were shot 14 times. We made this video to raise awareness about the great sacrifices people are making so that we can have clean water to drink, fresh air to breathe, and real freedom. Rest In Power, Tortuguita.”

 

The band has a tour coming up around Reclaim the Stage Fest and will be in Brooklyn next on 4/21 at The Meadows with Adult Mom and 5/13 at TV Eye with HIRS. “Cop City” is from the forthcoming album, Die Later, due out later this year. [KH]

 

Fenne LilyIn My Own Time. The latest single from Fenne Lily is a gentle and soothing acoustic contemplation, but while it is delicate, it explores big feelings, existential quandaries of life and the general state of confusion that can bring. Who among us can’t relate to the realism of lyrics like “sometimes I feel like I’m just killing time here // or maybe it’s killing me” and the feeling of wondering what else might be out there? Lily is joined by Katy Kirby on harmonies for some added saccharine that hits just right: in the heartstrings. For the accompanying video that features ventriloquist dummies and rowdy bar patrons she shares:

 

“This song’s about the weight of stasis — about time moving too quickly and too slowly and every mistake feeling both permanent and inconsequential. When it came to writing this video concept, I wanted it to reflect the twisted aspects of a love that’s found in the midst of chaos and the subsequent feeling of being inanimate in your own story. All that, in the style of Terminator 2.”

 

“In My Own Time” is from the forthcoming album Big Picture (4/14 Dead Oceans). Fenne Lily will embark on a lengthy tour in the UK and Europe followed by US dates which will see her hit Music Hall of Williamsburg on June 2nd. [KH]

 

Friko Crimson to Chrome. Singer and guitarist Niko Kapetan’s confessional lyrics (“I’m sitting here writing the same sad song / with the cogs on fire / spinning on and on / till I’m old and tired / even then I’m on fire”) and earnest yet forceful voice paired with classic indie distortion and sharp percussion puts me in mind of a more rollicking Bright Eyes. There’s an energy here you could certainly enjoy in the comfort of your own room but is perhaps better experienced with a crowd singalong. Indeed, their video for the track is comprised of clips from their first headlining tour. Currently they are appearing at SXSW and moving on to a West Coast tour through April. [CW]

 

GrampfatherRot In Bliss. The Kingston, NY quartet is back with a brand new single “Rot In Bliss,” which follows up their 666G EP released in summer of 2022 (read our review). This band sure as hell knows how to bring the jangle and how to get in your head with some catchy and fun indie rock. You can catch them live on 3/31 at Our Wicked Lady for even more fun. [KH]

 

Jesus Piece Silver Lining. The Philadelphia metallic hardcore band is set to release their upcoming album …So Unknown soon and have released the centerpiece of the album “Silver Lining,” a song the band says was inspired by vocalist Aaron Heard’s son. The song is epic, heavy and yet atmospheric, showing off many sides of their muscianship. They are currently on tour with Show Me The Body, Zulu, Scowl and TRiPP JONES and will hit NYC on 3/24 at Brooklyn Steel. [KH]

 

Low PreshBlade Runner. For those keeping track and counting down the days until LP III (which is a pretty cool subtle double entendre btw), Low Presh just dropped a trompy stompy banger new single called “Blade Runner.” Between sliding walls of big guitars, punctuated with moments of hanging silence and big fuzzy choruses, the track is stung together beautifully by verses bent by metallic clink. It offsets wonderfully last month’s “Dark Eyes,” a brooding ripper full of dark spacey imagery and ominous slither. The quartet has proven themselves over recent years to be quite skilled at balancing discord and resolution, and these new songs prove nothing to the contrary. We are pretty excited to dig further into the new record which comes out on all platforms March 31st. [MB]

 

NEWSKI Airplane. A midtempo lo-fi rock song featuring Guster‘s Ryan Miller that flows along pleasantly and strikes a nostalgic tone, or as NEWSKI says, “a magical time when MTV still played music videos…when prank calling truckers on CB radios was top-shelf entertainment, and when MGD was still considered a good beer.” FRIEND ROCK releases on April 7th and features appearances from Matthew Caws (Nada Surf), Brian Vander Ark (the Verve Pipe) and more. [CW]

 

OK Coolnissanweekends. There’s a lot going on here and I like that. Got some emo, some indie, it gets mathy, it gets loud, it’s in 6/8, I’m feeling all of it. I was previously unfamiliar with the Chicago duo who bills themselves alternately as “two pasty little music muppets” or “two tiny tiny rats with a dream of one day becoming human,” but I’m very ready to hear more.

Band member Haley Blomquist shares:

 

“nissanweekends” was written about the monotony of work and the stress that comes with balancing your time around it. It can feel like a waste of time to not be productive when there’s so many plates I’m trying to balance at once, ultimately making it hard to ever relax without feeling like ‘if I lay down, the earth will open up and leave me.’”

 

It is the second single from the upcoming album, fawn, which is due out 4/28 and follows several other singles and EPs, plenty for me to get to know them more with. Let’s get this band to NYC for a show, stat! [KH]

 

SnooperWaste. Blink and you might miss this frenzy of a song. 1:24 of disorder is packed into this lo-fi banger and just as you’re settling into the chaos, BAM! there it goes, finished and done, just watch out it doesn’t take your head off in the process. The band is just wrapping up a tour around SXSW, here’s hoping they make it to NYC soon. [KH]

 

SemaphoreStay2gether (Blink 182 cover). A shoegaze cover of Blink 182 was certainly unexpected, but being someone who loves a cover that changes things up, this one hit the spot. Singer/guitiarist Siddhu Anandalingam shares that “Stay Together For The Kids” is his favorite Blink song and it started out as an experiment with new gear which then evolved into this cover. This version keeps the moody spirit of the original, making it even darker along the way particularly since Anandalingam’s voice more closely matches the deeper pitch of Mark Hoppus who only sings the verses in the original, while Tom DeLonge sings the chorus in his much higher voice to make it soar; the deeper voice throughout works much better for this slowcore electro gaze take, keeping it grounded and more subdued. The band will release their album, I Need A Reason to Stay, on 3/24 and celebrate with a release show on 3/26 at Gold Sounds. [KH]

 

Teen Mortgage Sick Day. Got 2 minutes? Then Teen Mortgage has this heavy garage rock ripper to tear apart your mind! This one looks like a stand alone for now but I’m reeeeeeaaal ready for a follow up to their 2019 EP Life/Death (which was a recent Bandcamp Friday pick for me) and hope that’s coming down the pike soon. As well as some live show action here in the swampy bowels of Brooklyn, too, of course. [KH]

 

TetchyNext Generation. Whether you are a die hard Trekkie, a Wesley Crusher fan, or just a being of any sort wishing for a better world, Tetchy’s newest single is for you. Aptly titled “Next Generation,” Maggie Denning and crew daydream of being friends with the young Crusher aboard the Starship Enterprise while binge watching TNG and hopelessly crestfallen over the disparity between relative future utopia of The United Federation of Planets and our current state of existence. Tetchy is currently at SXSW and will play their next Brooklyn show with my band, Nihiloceros, on 3/30 at Alphaville. [MB]

 

Tinariwen Tenere Den. Tinariwen were my (and many others) first introduction to “desert blues,” which blends traditional Tuareg music and West African and Malian influences with an electrified guitar sound. Their new single “Tenere Den” displays their mastery of the craft, with intricate guitar work, meditative rhythms, and call and response lyrics that speak of the dualities of the desert (“white at times, and at other times / red with the blood of the martyrs / the desert where everything is far away / Inkilal heard the sound of gazelles / or of a Toyota roaming the vicinity.”) Their ninth album Amatssou is out on May 19th, and they’ll be at Webster Hall on June 6th. [CW]

 

waveform* Lonely. I heard this song via a flyer on my street here in Brooklyn, walking home at 3 am not entirely sober, and let me tell you those are *exactly* the vibes for this track. This is gorgeous, country tinged (get a load of that guitar solo) dream pop with a surreal feeling, courtesy of songwriting duo Jarett Denner and Dan Poppa. Their album Antarctica will be out on Run For Cover on May 12th. [CW]

 

 

 

Brooklyn Punks Unite to Support Palestine

Brooklyn Punks Unite to Support Palestine

Spite FuXXX at Our Wicked Lady (photo by Kate Hoos)

 

Recently, an absolutely insane and incredible lineup of bands hit the rooftop of Our Wicked Lady, eight bands in all, ranging from noise to synth punk to hardcore. It was one for the books and featured some of NYC’s best current DIY bands. 

 

The show was organized by MG Stillwaggon, lead singer of Spite FuXXX, and was a benefit for Gaza Mutual Aid Collective and Palestinian Youth Movement, both organizations doing vital work for Palestine in the face of the despicable US sanctioned cruelty Palestinians face on a daily basis. Despite the chilly and rainy day, a sizable crowd came out to support and made the entire day a back and forth from artist to performers with band members jumping into the crowd often and audience members grabbing instruments and mics to join in just as often. $1300 was raised at the door with additional donations being made via merch sales and by those who wished to donate via Venmo directly to the organizations.

 

The lineup was stacked from start to finish and not one set left me disappointed. In order of the day, the show featured: intense noise punk from Ken Mujo, cathartic as fuck transcore punk from The Dilators, bass and drums horror punk from Winter Wolf, trashy synth punk from Spite FuXXX, and a range of sharply political hardcore from the final four acts— La Milagrosa, Kartel, Dog Breath, and All Torn Up! who was playing one of their first NYC shows since the start of the pandemic. If you were going to make a list of some of my favorite current NYC bands, each and every one of these bands would be on it. (La Milagrosa and Dog Breath are newer to me so I’m still exploring their recorded output but both put on amazing, hard hitting sets.)

 

All Torn Up! performing

All Torn Up!

 

After the show, Spite FuXXX said on Instagram “Thank you everyone for making this happen!!! The energy (and crowd participation!) at this show was full of what truly punk is and has always been about—we all know the system don’t got our backs, but WE have each other’s backs ❤️❤️❤️ every band brought the fire and the audience gave it right back, everyone respected and looked out for and boosted each other.  🔥 THIS  🔥IS 🔥 WHY 🔥 WE 🔥 DO 🔥 THIS! 🔥”

 

I took a plethora of pics at the show, it was so high energy and the vibes so good as the community came together, it was hard to hold back. I’ll let the pics speak for themselves and recommend you check out all of these bands, all of whom are doing vital work in the community here in NYC and well beyond. And if you have the means, please consider donating to one of these organizations to help aide in the fight against the oppression of Palestine.

 

 

Scroll down for pics of the show (photos by Kate Hoos)

 

KEN MUJO

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

Ken Mujo performing

 

 

THE DILATORS

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

 

 

WINTER WOLF

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

Winter Wolf performing

 

 

SPITE FUXXX

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

Spite FuXXX performing

 

 

LA MILAGROSA

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

La Milagrosa performing

 

KARTEL

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel performing

 

 

DOG BREATH

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

Dog Breath performing

 

 

ALL TORN UP!

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

All Torn Up! performing

Punk Island 2022

Punk Island 2022

Winter Wolf at Punk Island (photo by Kate Hoos)

 

Punk Island is back! After two long years away (no) thanks to the pandemic, the free, all ages, DIY festival made its triumphant return in 2022 with a theme of Memorial and Revival. To say this fest is near and dear to my heart would be an understatement: I have a deeply personal connection to it because I poured thousands of hours into it along with (a little bit of) my blood, my tears (once or twice), A LOT of sweat and even more love. I spent nearly six years as an organizer on the festival from 2016 onward, first running the Hoosatron stage, later taking on many of the behind the scenes logistics and serving as the lead organizer before my retirement earlier this year. I also played in five different bands over the years and always photographed to document each year.

 

So yes, my love and commitment to this fest runs very deep. This was my first year not playing since 2015 and my first year going back as purely a fan. While I do miss many of the aspects of the moving parts of making an event like this happen, it was nice to enjoy my retirement and just take the day in. I was thrilled to be there to support the many friends I have made over the years at the fest, see my fellow organizers (as well as some new ones) carry the torch, and to get to talk to more people and make new friends. Erica Camponeschi, a longtime fan and supporter who was sidelined with Covid this year, said on Facebook that she was disappointed to miss the fest but added “know that I have been thinking of y’all today, and of all of the ways we met, set by set, stage by stage, year by year.” I can’t think of a more apt way to describe how I feel about all of the memories and friendships this festival has brought to my own life too; Punk Island has always been about family and community to me first and foremost.

 

 

The fest looked different this year from past years, a smaller affair held in Brooklyn’s Maria Hernandez Park rather than on Randall’s Island which had hosted the fest from 2017-2019. In the past the fest had included up to nine stages led by different organizers, simultaneously going with close to 100 bands throughout the day. This year saw two alternating stages—Memorial and Revival—and a much smaller lineup with the organizers saying on Facebook “we wanted to come back at a smaller scale and work our way up to what we once had pre-pandemic.” Several zine vendors and local community organizations were also onsite, North Brooklyn Mutual Aid and FentCheck offering harm reduction information along with Narcan and Fentanyl test strips, with workshops on sex worker advocacy from Sex Workers Outreach Project among others. These resources and organizations have become an important part of the programming in recent years and have made it much more than just a music festival.

 

Punk Island

Punk Island

Punk Island

Punk Island

Punk Island

Punk Island

 

And while much more than music does happen at Punk Island, it does remain at its heart a music focused event built around an eclectic lineup of artists. Every year fans from near and far come for the wide range of bands that play, touching on everything under the punk umbrella you can imagine—hardcore, pop punk, ska, folk punk, queercore, crust, grunge, noise—it’s all there to be enjoyed by everyone. This year I got to see so much more of the fest than I used to, since I didn’t have a stage to manage or a set to play. I was able to catch almost every band and I absolutely loved reveling in the unbridled joy as everyone moshed, danced, skanked and shouted along together. Winter Wolf drummer Nate Harris stated on Facebook after the fest: “Punk Island was amazing and needed,” and I couldn’t agree more.

 

In a day full of heavy hitters, highlights for me were acoustic Mariachi folk punks Pancho Villa’s Skull, who made the trip from Pontiac, MI special for the fest; NJ grunge rockers Shut Up, who really let that early 90s Seattle influence fly; surf punks Depresión Tropical who brought summer at the beach vibes; hyper punks Motel Portrait who were totally new to me and had a very entertaining and exciting drummer; and the always super fun Ratas En Zelo, who got the entire crowd bopping along to their infectious accordion fueled jams. Kartel was also another big one for me as they had long been on my list to see but I kept missing them. I was thrilled to finally catch their set which closed out the day, whipping the crowd into a final frenzied crescendo with their potent dbeat hardcore.

 

I would be remiss if I didn’t also mention my friends and fellow organizers who I always delight in seeing: Twee punk greats The Loneliers who, along with their DIY collective The Pigeon Pack, were instrumental in making my stage run in 2018 and 2019 and who are now full organizers themselves. Winter Wolf never ceases to amaze me with the level of intensity they put into their performances and they dialed it up to 1000% playing an explosive set. The Dilators, featuring Brooklyn Transcore organizer Sawyer Season, was the band I was perhaps most excited about, having recently made their live debut, taking the fest and the Brooklyn scene by storm. Suffice it to say that I am so lucky to have such incredibly talented and passionate friends who are doing such vital work as musicians and organizers. I can’t wait to see what they all do next.

 

The Loneliers performing

The Loneliers (photo by Kate Hoos)

Winterwolf performing

Winter Wolf (photo by Kate Hoos)

The Dilators performing

The Dilators (photo by Kate Hoos)

 

Another big highlight was the memorial wall which was included to honor those who passed away over the last few years. Some opted for tributes to musicians like longtime Punk Island fan, supporter and performer, James “Lunchbox” Giunta (Exit 17) who passed away in 2017, and Alec Ballie (Choking Victim, Leftover Crack) and Jack Terricloth (World Inferno Friendship Society), who both played the fest in 2019, and who both passed away during the pandemic. Others chose to memorialize friends, family, or beloved pets. PI organizer Sawyer Season said she wanted to include the memorial wall because she “wanted to give people a chance to express that sense of loss together, and I wanted us to be able to lift those names up as our ancestors who are watching over us and protecting us punks.” This was one of my favorite things from the fest and I was quite emotional seeing it progress throughout the day as names were added and lives remembered.

 

Punk Island memorial wall

Punk Island memorial wall

Punk Island memorial wall

Punk Island memorial wall

Punk Island memorial wall

Punk Island

James “Lunchbox” Giunta

 

Punk Island is truly such a wonderful and essential event for the New York music community. I will never not love it or feel an indescribable high after heading home; this year felt perhaps even more potent after everything it took to get us here. Lead organizer Antonio Rodriguez was jubilant after the event saying “This year Punk Island was perfect! After two years of absolute bullshit, it was amazing to get everyone in the community back together for a day of revival. I kept running into people that I hadn’t seen in years and reconnecting.” He went on to add “The absolute high point of the day for me was The Dilators set led by Punk Island organizer Sawyer Season, their whole set was vital and electric. And they absolutely killed a cover of System of a Down’s “Deer Dance” who’s chorus: “Pushing little children with their fully automatics, They like to push the weak around,” has never felt more relevant. The second I heard them playing I ran straight into the pit, my first in five years, and sang along. They ended their set by saying that “Punks not dead, it’s just a girl now.”  Rodriguez also made mention of the memorial wall stating “The theme of this year’s Punk Island was Memorial and Revival and I think that it really came through.”

 

Punk will never be dead when the community comes together and thrives through events like Punk Island. The organizers, the bands and the fans pour their hearts and souls into it each and every year. And though the world is fucked up and hard, sometimes almost unbearable on many days, at least we can find an oasis like this together to hold each other up and find the joy we all so deserve.

 

Scroll down for pics of the fest (photos by Kate Hoos)

 

PUNK ISLAND 2022

Punk Island

Punk Island

Punk Island

Depresion Tropical performing

Depresion Tropical performing

Depresion Tropical performing

Depresion Tropical performing

Depresion Tropical performing

Depresion Tropical (photos by Kate Hoos)

 

Punk Island

Punk Island

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators performing

The Dilators (photos by Kate Hoos)

 

Punk Island

Jo Mercado performing

Jo Mercado (photo by Kate Hoos)

 

Punk Island

Kartel performing

Kartel performing

Kartel performing

Punk Island

Punk Island

Kartel performing

Kartel performing

Kartel performing

Kartel performing

Kartel (photos by Kate Hoos)

 

Punk Island

The Loneliers performing

The Loneliers performing

The Loneliers performing

The Loneliers performing

The Loneliers performing

The Loneliers (photos by Kate Hoos)

 

Punk Island

Mosey Jones performing

Mosey Jones performing

Mosey Jones performing

Mosey Jones (photos by Kate Hoos)

 

Punk Island

Motel Portrait performing

Motel Portrait performing

Motel Portrait performing

Motel Portrait performing

Motel Portrait performing

Motel Portrait (photos by Kate Hoos)

 

Punk Island

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents performing

Non Residents (photos by Kate Hoos)

 

Punk Island

Pancho Villa's Skull performing

Pancho Villa’s Skull (photos by Kate Hoos)

 

Punk Island

Punk Island

RBNX performing

Raddigan Brothers Noise Experience (photos by Kate Hoos)

 

Punk Island

Punk Island

Ratas En Zelo

Ratas En Zelo performing

Ratas En Zelo

Ratas En Zelo

Ratas En Zelo performing

Ratas En Zelo performing

Ratas En Zelo (photos by Kate Hoos)

 

Punk Island

Punk Island

Shut Up performing

Shut Up performing

Shut Up performing

Shut Up performing

Shut Up performing

Shut Up performing

Shut Up (photos by Kate Hoos)

 

Punk Island

Punk Island

Skappository performing

Skappository performing

Skappository performing

Skappository performing

Skappository performing

Skappository (photos by Kate Hoos)

 

Punk Island

Winterwolf performing

Winterwolf performing

Winterwolf performing

Punk Island

Winterwolf performing

Winterwolf performing

Winterwolf performing

Winterwolf performing

Winter Wolf (photos by Kate Hoos)